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While that is actually the exact result we hoped for, the two ventured outside the box and came up with something completely different, showcasing a side of the two rappers we really haven’t seen before.
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When “Love Game” was spotted on the tracklist, we all assumed that it would be a back-and-forth lyrical competition between Eminem and Kendrick Lamar. What keeps Eminem relevant after all these years is that he is willing to take chances. There aren’t many rappers, if any, who could systematize words in this particular way while seamlessly alternating flows at any given moment. However, overlooking this lyrical miracle display’s positioning is easy when you stop and admire how impressive the rapping itself is. “Rap God” doesn’t particularly fit the bill, either. The Rick Rubin-produced “Berzerk” pays homage to old-school rap of the ‘80s while at the same time serving as the album’s quirky single. “Survival” and “The Monster” in particular stick out like a miniskirt in a monastery in the way that “The Real Slim Shady” and “Bitch Please II” did on part 1, except those were at least good songs when isolated. Thankfully, the singles end up being the album’s low points.
Eminem discography mmlp2 full#
The singles gave the impression that MMLP2 would be full of the same pandering that plagued Eminem’s last solo effort to the point of not even sounding like an Eminem album. “The Monster” does everything right to guarantee enough success on the pop charts to rival Eminem’s last collaboration with Rihanna, but it does everything wrong for those not wanting another formulaic pop song from the Detroit rapper. “Survival” is another generic, uplifting stadium anthem that sounds like a Recovery leftover. The worst fears were seemingly confirmed before our eyes, as single after single hinted that Eminem’s upcoming album would sound more like a sequel to Recovery rather than a follow-up to The Marshall Mathers LP as it was being advertised. The singles leading up to The Marshall Mathers LP 2 gave out all the wrong signals. While it’s a phenomenal track in any regard, full appreciation requires you to have been an Eminem fan at some point in your life, which is the overlying tale of The Marshall Mathers LP 2. I’d love to go more in depth, but at the risk of ruining the surprise for those who haven’t yet heard it, I’ll just leave it at that. The opening track, “Bad Guy”, is one of the most awe-inspiring pieces of storytelling in hip-hop in quite some time. “I’m the bad guy who makes fun of people that die / And hey, here’s a sequel to my Mathers LP / Just to try to get people to buy / How’s this for publicity stunt? This should be fun.” Leave it to Eminem to completely defy expectations. Now, given that the past decade of Eminem releases bear no resemblance to the sound of the original Marshall Mathers LP, fans had good reason to fear that Eminem would tarnish the legacy of the original with an unwarranted sequel.Įminem foresees this criticism and brings up the question himself on the album’s opener. Thirteen years removed from his genre-transcending classic, Marshall digs up an old grave in hopes of recapturing some of that mystique. While Eminem gives the impression that he’s all but entirely disconnected from society, he seems all too cognizant of his constant criticisms.īy creating a sequel to his most popular album ever, Eminem opens the door for disaster. Not since the release of The Eminem Show back in 2002 has an Eminem album truly satisfied in the public eye. While his albums still sell and his singles still top the charts, his hardcore fans recognize that this isn’t the same rapper that they grew up on.
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Fans plead with Eminem year after year to return to his prime form.